| THE PRINCIPLE OF INTERRELATION IN HYBRID FORMS (AT THE EXAMPLE OF FUGUE-SONATA BY GEORGIAN COMPOSERS) (Язык: Английский) | 
3-7 |
| INTERNATIONALIST AGAINST HIS TIME: DIVERGENT NATIONALIST AND INTERNATIONALIST THEMES IN THE MUSIC AND RECEPTION OF FRANK BRIDGE, 1915-28 (Язык: Английский) |
8--18 |
| THE VIRTUE OF AMERICAN POWER AND THE POWER OF AMERICAN VIRTUE: EXCEPTIONALIST TROPES IN EARLY COLD WAR AMERICAN MUSICAL NATIONALISM (Язык: Английский) |
19-24 |
| AN INSTRUMENT EMERGED FROM EAST AND WEST INTERACTIONS : FRETLESS CLASSICAL GUITAR (Язык: Английский) |
25-30 |
| TURKISH BLACK SEA MUSIC FROM GERMANY (Язык: Английский) |
31-36 |
| THE NATIONAL MUSIC IDENTITY IN THE GLOBAL CULTURAL CROSSROAD. SOME STILL TOPICAL LOCAL PROBLEMS IN THE LATVIAN MUSIC HISTORY WRITING (Язык: Английский) |
37-44 |
| RUSSIAN TRADITIONAL MUSIC IN GEORGIA (BASED ON THE MATERIALS FROM DEDOPLISTSQARO 2013-2014) (Язык: Английский) |
45-49 |
| THE INFLUENCE OF EASTERN AND WESTERN CULTURAL TRADITIONS ON THE FORM CREATION PROCESSES IN AVANT-GARDE COMPOSERS’S CREATIVE WORK (Язык: Английский) |
50-54 |
| THE SYMPHONY GENRE IN GEORGIAN MUSIC: AT THE CROSSROADS OF NATIONAL IDENTITY AND MODERN EUROPEAN TENDENCIES (Язык: Английский) |
55-59 |
| GEORGIAN WEDDING MUSIC – TRADITION AND MODERNITY (Язык: Английский) |
60-63 |
| PHILOSOPHICAL CONTEXT OF CONTEMPORARY CHOREOGRAPHIC SPACE (Язык: Английский) |
64-67 |
| IOANE PETRITSI’S MUSICAL AESTHETICS AT THE GREEK-GEORGIAN CULTURAL CROSSROAD (Язык: Английский) |
68-72 |
| GEORGIAN OPERA OF THE 1980S IN THE CONTEXT OF WORLD OPERA INNOVATION TENDENCIES (Язык: Английский) |
73-76 |
| ON SOME PARALLELS BETWEEN GEORGIAN AND NORTH CAUCASIAN (CHECHEN AND DAGHESTANI) TRADITIONAL MUSIC (ATTEMPT FOR THE COMPARATIVE STUDY OF EXPEDITION AUDIO RECORDINGS) (Язык: Английский) |
77-87 |
| THE TRANSFORMATION OF THE PASSION IDEA ON THE EXAMPLE OF NODAR MAMISASHVILI’S “THE PASSIONE” (Язык: Английский) |
88-92 |
| IDEA OF SPACE IN MUSIC IN INTERCULTURAL PERSPECTIVE (Язык: Английский) |
93-104 |