3-10
| SOME PECULIARITIES OF ALBAN BERGS MUSICAL DRAMATURGY (Language: Georgian) |
3-10 |
| MOZART AND THE MUSICAL THEATRE OF HIS TIME (Language: Georgian) |
11-26 |
| THE MEANING OF THE WORD AND ITS MUSICAL MODIFICATIONS IN GEORGIAN CINEMA AND THEATER MUSIC (ON THE EXAMPLE OF THE MUSIC BY IOSEB KECHAKMADZE) (Language: Georgian) |
27-34 |
| THE UNITY OF MUSIC AND TEXT IN GLINKA’S ROMANCES |
35-40 |
| THE PERFORMERS IN MOZART’S TIMES AND THE PECULIARITIES OF THE ART OF PERFORMANCE IN THE 18THS CENTURY (Language: Georgian) |
41-58 |
| TERMS DENOTING INSTRUMENTS IN GEORGIAN TRANSLATIONS OF THE BIBLE (Language: Georgian) |
59-82 |