3-10
| FACING A NEW REALITY: POLISH COMPOSERS IN THE FIRST YEARS AFTER 1945 |
3-10 |
| DUE NORTH: ĒRIKS EŠENVALDS AND AURORA BOREALIS AS A CLAIMED ARTISTIC SPACE |
11-17 |
| ROBERT SCHUMANN’S “CARNAVAL” AND TENNESSEE WILLIAMS’S “CAMINO REAL” |
18-24 |
| WEST – EAST: FROM THE USA TO THE EUROPE |
25-29 |
| VIETNAMESE SYMPHONY AFTER INNOVATION IN THE PERSPECTIVE OF INTERTEXTUALITY (Language: Georgian) |
30-44 |
| INTEGRATION OF SCHENKERIAN ANALYSIS AND NEO-RIEMANNIAN TRANSFORMATIONS IN LISZT’S TRANSCENDENTAL ÉTUDE NO. 1 |
45-50 |
| THE WORK OF FRANÇOIS-BERNARD MÂCHE IN THE LIGHT OF THE PROBLEMS OF MUSICAL TIME (Language: Georgian) |
51-64 |
| BRICOLAGE – COMPOSITION TECHNIQUE OR TYPE OF THINKING? |
65-70 |
| FROM FOLK SOURCE TO PROFESSIONAL CREATION: ON ONE TUSHETIAN TUNE |
71-77 |