3-14
| FROM ORAL TRADITION TO COMMERCIAL INDUSTRY: THE MISUNDERSTOOD PATH OF POPULAR SONG |
3-14 |
| TEACHING MUSICAL NOTATION AT SCHOOLS OF GENERAL EDUCATION (Language: Georgian) |
15-25 |
| TSUTSUNAVA’S OPERA STAGE DIRECTION IN CONTEXT OF WORLD OPERA (Language: Georgian) |
26-35 |
| THE INTONATIONAL GENESIS OF J S BACH’S FUGUE IN D MAJOR (WELL TEMPERED CLAVIER, I PART) AND ITS LINKS WITH BEETHOVEN’S STRING QUARTET OP.18 #2 IN G MAJOR (Language: Russian) |
36-48 |
| ON THE MEANING OF ARCHAIC SYMBOLS IN ONE GEORGIAN ROUND DANCE SONG |
49-54 |
| POSTMODERNISM REFLEXES IN NEW GEORGIAN MUSIC (Language: Georgian) |
55-62 |
| THE ASHUG ART AND SONGS OF OLD TBILISI (AN ATTEMPT OF THE ANALYSIS OF THE STYLE) (Language: Georgian) |
63-80 |
| PARTICULARITIES OF RESEARCH OF THE NATIONAL COGNITION IN LADO DONADZES MONOGRAPH ESSAYS (Language: Georgian) |
81-86 |
| EXPERIMENTAL MUSIC - CONTEMPORARY INTERPRETATION (Language: Georgian) |
87-93 |